"Brown's album ought to be assessed as more thana jazz record. Instead, it would be better thought of as the work of a singer/songwriter who leans towards the language of jazz but is not entirely defined by it."

John Kelman  —  All About Jazz,
May 2008   View the clipping


"Peter's consummate keyboard skills are still front and centre ... Franklin Street ... benefits from the longstanding musical relationship forged between members of the trio."

Kris Riendeau — The Humm,
May 2008 View the clipping


"Peter Brown Trio plans to release new CD Franklin Street in Carleton Place May 25"

Jeff Maguire  —  EMC News,
May 2008   View the clipping


"Franklin Street ... is a masterful work that both showcases and profiles the incredible talent that is Peter Brown. Musically, the collection is jazz in nature but features a full range of styles and influences that speak of the blues, showtime and class."

Lyle Dillabough  —  Mississippi Weekender,
May 2008   View the clipping


"Opening with a gospel-inflected version of "Amazing Grace", Brown quickly established that he's a local treasure..."

John Kelman  —  All About Jazz,
June 2005   View the clipping


"Think of a cross between A.J. Croce and Bill Evans - the pianist, not the saxophonist, and you've got Peter Brown. He's created a body of music that's plain delightful, his own compositions in particular."

T. Bruce Wittet  —  Muzik ETC, Sept./Oct. 2003   


"...Peter Brown stretches out and hits all the right notes on his first solo record Marie-Claude..."

Xpress, March 27—April 2, 2003   View the clipping    


"...Brown wrote more than half the tunes on Marie-Claude in recent years, including the beautiful instrumental title track and the groovy "These Blues You Gave Me" with snazzy vocals."

Ann Marie McQueen  —  The Ottawa Sun, Nov. 2002   View the clipping    


"Brown tackles jazz, blues, country, boogie-woogie, tango and the traditional Amazing Grace with obvious enthusiasm, great virtuosity, and an honest and practiced feel for music."

Bruce Deachman  —  The Ottawa Citizen, Feb. 2003   View the clipping    


"...Marie-Claude hooked me right from the first track."

Rob Riendeau  —  The Humm, Dec. 2002   View the clipping    


"...you'll hear some boogie-woogie, classic blues shuffles, old-time honkey tonk, and a bit of free-form, Keith Jarrett-type improvisations, as well as some straight-ahead jazz trio music."

Kris Riendeau  —  The Humm, Nov. 2002   View the clipping    


"...Peter Brown is one of the most versatile and talented keyboard players around these days. But did you know he can sing?"

Rob Riendeau  —  The Humm, Oct. 2001   View the clipping    


"...He has been very instrumental (no pun intended) in broadening the musical tastes of everyone in the community. ...The crowd response was warm and appreciative with positive comments all around."

The Music Man  —  The Humm, Mar. 2000   View the clipping    


"...Indeed, if I were to ask for any changes in the program, it would have been to have more of his original material included."

Ian Doig  —  Shiverz Entertainment Magazine, Mar. 2000    View the clipping    


"...Peter is one of the most creative, versatile and accomplished keyboardists I have had the pleasure of hearing. He performs, writes, teaches, and records. There is no musical genre he cannot play well."

James Peckett  —  Shiverz Entertainment Magazine, Apr. 1999   View the clipping